In the mid 1960s, he played with American musicians such as Don Cherry and Steve Lacy and, following a sojourn in Paris with Don Cherry, returned to Germany for his unorthodox approach to be accepted by local musicians like Alex von Schlippenbach and Manfred Schoof. while experiencing freedoms from a different perspective via Stockhausen, Nam June Paik, David Tudor and John Cage. During 1962/63 Brötzmann, Kowald and various drummers played regularly - Mingus, Ornette Coleman, etc. Self-taught on clarinets, he soon moved to saxophones and began playing swing/bebop, before meeting Peter Kowald. In late 2005 he had a major retrospective exhibition jointly with Han Bennink - two separate buildings separated by an inter-connecting glass corridor - in Brötzmann's home town of Remscheid. Being very dissatisfied with the gallery/exhibition situation in art he found greater satisfaction playing with semi-professional musicians, though continued to paint (as well as retaining a level of control over his own records, particularly in record sleeve/CD booklet design). Peter Brötzmann's early interest was in painting and he attended the art academy in Wuppertal. "Born Remscheid, Germany on 6 March 1941 soprano, alto, tenor, baritone and bass saxophones, a-clarinet, e-flat clarinet bass clarinet, tarogato.
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A pioneer of experimental music, Wright is a widely acclaimed artist among his colleagues in the free jazz movement."-Wikipedia ( (jazz_musician)) In addition to tenor saxophone, he also played the soprano saxophone and bass clarinet. Ayler's musical influence persuaded Wright to switch to saxophone his style is often associated with Ayler's. Originally a bass player, Wright played in numerous local R&B bands before taking up the saxophone. In Cleveland, Wright met Bobby Few and Albert Ayler, both of whom became friends and musical influences. Another 5.5 million left during and after the war, up to 1970.
More than 1.5 million black Americans left the South before World War II to seek opportunities in the industrial cities of the North and Midwest. He began to play tenor sax in his late teens, when his family moved to Cleveland, Ohio as part of the Great Migration out of the South. Wright was born in Grenada, Mississippi, but he grew up in Memphis, Tennessee. "Frank Wright (9 July 1935 - ) was an American free jazz musician from Grenada, Mississippi, Memphis, Tennessee and Cleveland, Ohio, known for his frantic style of tenor saxophone.
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The film Blow the Earth in Japan is his first experience as a film director."-Wikipedia ( ) They started "Blow the Earth in Japan" in the summer of 2007 and ended in the autumn of 2011. Kondo IMA achieved commercial success but moved to Amsterdam to be alone and to start "Blow the Earth" in 1993. Kondo cooperated with Bill Laswell to make the album Inamorata in 2007. In 2002, he worked on an international peace festival in Hiroshima after being approached by the Dalai Lama about organizing one. In the mid-1980s he began focusing on his own career, blending his avant-garde origins with electronic music. Returning to Japan, he worked with Ryuichi Sakamoto, Kazumi Watanabe, and Herbie Hancock. A year later he released his first recording, toured Europe with Eugene Chadbourne, and collaborated with European musicians such as Peter Brotzman. In 1978 he moved to New York, and began performing with Bill Laswell, John Zorn, Fred Frith, and Eraldo Bernocchi. In 1972 the pair left university, and Toshiyuki went on to work with Peter Brook, while Kondo joined Yosuke Yamashita. Kondo attended Kyoto university in 1967, and became close friends with percussionist Tsuchitori Toshiyuki. "Toshinori Kondo (Decemin Ehime Prefecture) is an avant-garde jazz and jazz fusion trumpeter.
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